HANS BELLMER
Nacimiento; procedencia; formación académica.
Hans Bellver nace el 13 de Marzo de en Katowice, Polonia. Su padre fue un ingeniero electricista adherido al Partido Nacional-Socialista desde
En Bellmer fue enviado por su padre a estudiar ingeniería en de Berlín, que más tarde abandonaría para dedicarse al arte. Aparte de la pintura también se dedico a: la fotógrafia surrealista, escultor y dibujante publicitario.
Contexto histórico
teoría de la relatividad
Asesinato de Sarajevo Inicio Primera Guerra Mundial
Rev. rusa
fin de la 1era guerra
tratado de Versalles
Sufragio femenino en
-sociedad de las naciones
Mussolini toma el poder
se funda la unión soviética
Stalin se hace al poder en al morir Lenin
Crack de de Nueva York depresión
Hitler es nombrado Canciller en Alemania
Influencias artísticas
Hans se interesó en la política y la lectura de las obras de Marx y Lenin influenciado por Otto Dix, Paul Klee y también en el movimiento Dada. Fue especialmente George Grosz, quien le enseñó dibujo y perspectiva en y quien le dio consejos para s
The Disturbing And Fascinating Work of Hans Bellmer
Known as a surrealist photographer, Hans Bellmer was born in Katowice, Germany (). At the age of 24, he worked as a draftsman for his own advertising company. However, when the Nazi party assumed control of Germany in , Bellmer's life changed drastically.
In fact, his first and best-known work, the life-size pubescent female dolls he produced, was made as a protest to the Nazi Party. Because Bellmer vowed he would not do any work to support the German state, his dolls served as a reaction against the Nazi's obsession with the perfect body. He posed them in unconventional ways and in mutated forms.
Hans Bellmer's Dolls: The La Poupee Series
A number of factors influenced Hans Bellmer's art, including:
- the letters of Oskar Kokoschka, Der Fetisch, published in
- the arrival of his beautiful female cousin, Ursula Naguschewski
- seeing a performance of Jacques Offenbach's Tales of Hoffman in (in which a man falls tragically in love with an automaton named Olympia)
- the arrival of a box of old toys (shipped from his mother).
As Bellmer himself described
Hans Bellmer
| German graphic artist, sculptor Date of Birth: Country: France |
Content:
- Early Life and Influences
- Paris and the Influence of Surrealism
- The Eroticized Doll
- Recognition and Nazi Censorship
- Exile and Internment
- Post-War Collaborations
- Later Years and Legacy
Early Life and Influences
Hans Bellmer was born in in Katowice, Germany. Despite his father's expectations, he pursued a creative career. After working in a steel mill and a mine, he enrolled in the Technical University of Berlin in , where he met George Grosz and John Heartfield.
Paris and the Influence of Surrealism
In , on Grosz's advice, Bellmer abandoned his studies and moved to Paris, where he encountered Paul Eluard. He began experimenting with photography and illustrated Minona's grotesque novel, "Railway Happiness, or Anti-Freud."
The Eroticized Doll
In the s, Bellmer collaborated with Lotte Pritzel to create erotic and distorted doll images. Influenced by works on body aesthetics and psychology, he challenged the Nazi ideal of "Aryan" health.
Recognition and Nazi Censorship
In , Bellmer's doll photographs were published in the surrealist magazine "Minotaur," drawing th
Summary of Hans Bellmer
Hans Bellmer's art, often in the form of dolls he called language images, served as a form of personal therapy, in which he objectified abusive relationships, explored his fantasies, and projected the essence of his desire for women and objects. He lived through the repression of artists in Nazi Germany, which became another trauma informing his art. After the war, he became well known for his explicit and sometimes pornographic illustrations. He created images that reflected what he felt was a disturbing, and disturbed world. His work has been hailed by some as representing the limits of human sexuality, while others have found his work to simply objectify the female body as a captive of the male sexual gaze.
Accomplishments
- Bellmer believed art could stimulate desire in the viewer, and he played with his objects to explore how an artificial figure of a girl could create authentic passion, desire, or fantasy.
- Putting Breton and Tzara's ideas into practice, Bellmer posed his dolls with various parts missing, or in odd combinations, or as seemingly random juxtapositions in order to shock the viewer into making new connections between things, and to
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