Diego Rivera, now thought to be one of the leading artists of the 20th century, was born in Guanajuato, Mexico, in
Rivera was a Mexican artist and a Muralist who sort to make art that reflected the lives of the working class and the native Mexican people.
Diego Rivera Biography
Diego Rivera&#;s passion for art began at a young age when he went to study art at the San Carlos Academy of Fine Arts, Mexico, through a government scholarship.
He studied with Gerardo Murillo, an artist who would later become a driving force of the Mexican Mural Movement, which Rivera was involved in.
Upon completing his studies in , Rivera had more than two dozen paintings exhibited in the San Carlos Academy Art Show.
His famous works of this time are the &#;La Era&#;- The Threshing, which showed elements of Impressionism in the lay of light and shadow, and his prowess in color use.
Subject Matter of his Artwork
Rivera went to Europe in , where he met some influential modern artists like Pablo Picasso and Georges Braque, who became very instrumental in his artistic journey.
He went to Madrid at the San Fernando Royal Academy, where he studied with Eduardo Chicharro Aguera, a Realist paint
Diego Rivera: A Biography: A Biography
This revealing biography covers the life and art of painter Diego Rivera.
Diego Rivera: A Biography presents a concise but substantial biography of the famous and controversial Mexican artist. Chronologically arranged, the book examines Rivera's childhood and artistic formation (–), his European period (–), and his murals of the s. It looks at the work he did in the United States (–) and follows his career from his subsequent return to Mexico through his death in
Drawing from primary source materials, the book reveals facts about Rivera's life that are not well known or have not been widely discussed before. It explores his tempestuous marriage to renowned painter Frida Kahlo and looks at controversial works, such as Rivera's mural for the RCA Building at Rockefeller Center in Manhattan, which featured a portrait of Communist party leader Vladimir Lenin, and was officially destroyed the following year.
- Citations of many fragments of primary source material
- Photographs of important moments and persons in the life of Diego Rivera
Summary of Diego Rivera
Widely regarded as the most influential Mexican artist of the 20th century, Diego Rivera was truly a larger-than-life figure who spent significant periods of his career in Europe and the U.S., in addition to his native Mexico. Together with David Alfaro Siqueiros and José Clemente Orozco, Rivera was among the leading members and founders of the Mexican Muralist movement. Deploying a style informed by disparate sources such as European modern masters and Mexico's pre-Columbian heritage, and executed in the technique of Italian fresco painting, Rivera handled major themes appropriate to the scale of his chosen art form: social inequality; the relationship of nature, industry, and technology; and the history and fate of Mexico. More than half a century after his death, Rivera is still among the most revered figures in Mexico, celebrated for both his role in the country's artistic renaissance and re-invigoration of the mural genre as well as for his outsized persona.
Accomplishments
- Rivera made the painting of murals his primary method, appreciating the large scale and public accessibility—the opposite of what he regarded as the elitist character of p
Diego Rivera Biography
The public persona of Diego Rivera and the heroic status bestowed upon him in Mexico was such that the artist became the subject of myth in his own lifetime. His own memories, as recorded in his various autobiographies, have contributed to his image as a precocious child of exotic parentage, a young firebrand who fought in the Mexican Revolution, and a visionary who completely repudiated his participation in the European avant-garde to follow a predestined course as the leader of Mexico's art revolution.
The facts are more prosaic. The product of a middle-class family, the young artist completed an academic course of training at the prestigious Academic course of San Carlos before leaving Mexico for the traditional period of European study. During his first stay abroad, like many other young painters, he was greatly influenced by Post-Impressionists Paul Cezanne, Van Gogh, and Gauguin. As for participating in the early battles of the Mexican Revolution, recent research would seem to indicate that he did not. Although he was in Mexico for a time in late early , his tales of fighting with the Zapatistas cannot be substantiated.
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