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Dramma in tre atti su libretto di Giovanni Gherardini. Prima rappresentazione: Milano, Teatro alla Scala, 31 maggio
Primi interpreti:
Teresa Belloc (Ninetta)
Filippo Galli (Fernando Villabella)
Antonio Ambrosi (Podestà)
Savino Morelli (Giannetto)
Teresa Gallianis (Pippo)
Marietta Castiglioni (Lucia)
Vincenzo Botticelli (Fabrizio)
Francesco Biscottini (Isacco)
Paolo Rossignoli (Giorgio)
Con la prima rappresentazione della Gazza ladra, la sera del 31 maggio al Teatro alla Scala di Milano, Rossini chiudeva un periodo tra i più intensi e felici della sua carriera. In meno di due anni egli aveva fornito al teatro musicale una serie ininterrotta di capolavori.
La gazza ladra rappresenta il culmine di queste attività creativa: essa precede un importante cambiamento nei rapporti di Rossini con i teatri italiani e mostra i segni di un profondo rinnovamento stilistico i cui sviluppi avrebbero avuto grande importanza nella storia dellopera italiana. Benché direttore dei teatri napoletani già dal , allinizio egli non trascurò i contatti con altre città. Dpo La gazza ladra preferì invece concentrare la sua attività a Napoli, dove pot
La gazza ladra
Story
La gazza ladra, melodramma in two acts to a libretto by Giovanni Gherardini, was first produced at the Teatro alla Scala on 31 May The singers at the first performances were Vincenzo Botticelli (Fabrizio), Marietta Castiglioni (Lucia), Savino Monelli (Giannetto), Teresa Giorgi-Belloc (Ninetta), Filippo Galli (Fernando), Antonio Ambrosi (Gottardo, il podestà), Teresa Gallianis (Pippo), Francesco Biscottini (Isacco), Paolo Rossignoli (Giorgio) and Alessandro de Angeli (Ernesto).
The story derives from La pie voleuse by D’Aubigny and Caigniez. Rossini made two perfomances of the opera: Pesaro, opening of the Nuovo Teatro () and Naples, Teatro del Fondo ().
Act One
The Great Courtyard of Fabrizio’s House
The members of the household are joined by their neighbours from the village to celebrate the return home of Giannetto, son of the well-to-do tenant farmer Fabrizio Vingradito, who is coming home from the wars; whilst the table is being set everyone is amused to hear a magpie, from its cage, repeatedly call out the name of Pippo, a young peasant lad in Fabrizio’s service. After having sung the praises of wine, Fabrizio confides in his wife, Lucia, th
Biography
Gioachino Rossini was an amiable, jovial character with an almost obsessive love of fine food. He is most celebrated for his sparkling comic operas. He was nicknamed ‘Signor Crescendo’ because of the trademark intensifying of sound he used in his music, and he became the most widely acclaimed and wealthy composer of his time. But it was his many opere serie that proved to be more influential and historically significant. Their innovative style would dominate Italian opera for half a century. Rossini’s natural affinity for comedy may have stemmed from a boyhood spent playing viola in the orchestra for his parents' carnival tours. In he entered the Conservatorio di Bologna, where he developed a devotion to Mozart that remained with him for the rest of his life and is clearly evident in the operas he wrote. After his studies, he worked in local theatres, composing additional arias for other people’s operas. Eventually, in , he got a break with the sixth of his own operas. L’inganno felice (‘The Fortunate Deception’) was his first great success at its premiere in Venice’s Teatro San Moisè. This acclaim led to a swathe of commissions from major Italian theatres, inclu
La storia in due Atti
La gazza ladra è unopera lirica di Gioachino Rossini su libretto di Giovanni Gherardini.
La prima rappresentazione ebbe luogo il 31 maggio al Teatro alla Scala di Milano. Lopera, un tempo famosissima, viene oggi rappresentata raramente, mentre è rimasta nel repertorio sinfonico la magnifica sinfonia dellopera. Secondo testimonianze dellepoca la prima fu un grande successo. Lenorme popolarità dellopera che durerà fino agli ultimi anni 20 dellOttocento è dimostrata tra laltro dai numerosi libretti e adattamenti.
ATTO I
Scena I
In casa del ricco proprietario terriero Fabrizio Vingradito si prepara una grande festa per il ritorno dalla guerra di suo figlio, Giannetto. Lucia, la padrona di casa, sorveglia gli inservienti mentre suo marito, Fabrizio, canta un inno al vino e quindi le comunica che il loro figlio, Giannetto, vuole sposare la domestica, Ninetta della quale è innamorato da tempo. A Lucia, che considera Ninetta una fannullona, il progetto non piace affatto. Si lamenta che la giovane ha recentemente perso la forchetta dargento. Entra in cortile Ninetta, in attesa del suo amato Giannetto, paternamente ascoltat
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